博客來精選推薦The Anatomy of Dance Discourse- Literary and Philosophical Approaches to Dance in the Later Graeco-roman World

The Anatomy of Dance Discourse- Literary and Philosophical Approaches to Dance in the Later Graeco-roman World

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要來讓自己熟悉另外學的第二語言

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像這本

The Anatomy of Dance Discourse- Literary and Philosophical Approaches to Dance in the Later Graeco-roman World

就是我在研讀書籍~ 主因當然是因為類別喜歡啦~

而且難度來說~~ 還~~~算OK啦XD

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The Anatomy of Dance Discourse- Literary and Philosophical Approaches to Dance in the Later Graeco-roman World

本週熱銷商品:

Moral Fables

The Masnavi, Book Four

商品訊息功能:

商品訊息描述: 台中水晶店

Within the newly thriving field of ancient Greek and Roman performance and dance studies, The Anatomy of Dance Discourse offers a fresh and original perspective on ancient perceptions of dance. Focusing on the second century CE, it provides an overview of the dance discourse of this period and explores the conceptualization of dance across an array of different texts, from Plutarch and Lucian of Samosata, to the apocryphal Acts of John, Longus, and Apuleius.

The volume is divided into two Parts: while the second Part discusses ekphraseis of dance performance in prose and poetry of the Roman imperial period, the first delves more deeply into an examination of how both philosophical and literary treatments of dance interacted with other areas of cultural expression, whether language and poetry, rhetoric and art, or philosophy and religion. Its distinctive contribution lies in this juxtaposition of ancient theorizations of dance and philosophical analyses of the medium with literary depictions of dance scenes and performances, and it attends not only to the highly encoded genre of pantomime, which dominated the stage in the Roman empire, but also to acrobatic, non-representational dances. This twofold nature of dance sparked highly sophisticated reflections on the relationship between dance and meaning in the ancient world, and the volume defends the novel claim that in the imperial period it became more and more palpable that dance, unlike painting or sculpture, could be representational or not: a performance of nothing but itself. It argues that dance was understood as a practice in which human beings, whether as dancers or spectators, are confronted with the irreducible reality of their own physical existence, which is constantly changing, and that its way to cognition and action is physical experience.

商品訊息簡述:

• 作者： Schlapbach, Karin
• 原文出版社：Oxford Univ Pr
• 出版日期：2018/02/14
• 語言：英文

The Anatomy of Dance Discourse- Literary and Philosophical Approaches to Dance in the Later Graeco-roman World